Director Alan Clarke's work to be presented in its entirety by the BFI in its DISSENT & DISRUPTION Season


The BFI announced this week that, starting in March, they will begin a tribute season to the late filmmaker Alan Clarke. Clarke is still probably best remembered for his controversial and groundbreaking dramas: Scum, Made in Britain and The Firm, which helped make household names of actors like Tim Roth, Gary Oldman and Ray Winstone. The BFI however will not just be revisiting those classics, but presenting the entire BBC and ITV drama, and film productions of the great director/producer/writer at BFI Southbank, supported by DVD and Blu-ray releases, via VOD on BFI Player and in BFI Mediatheques across the UK. On stage discussions of his career, and screenings of once-lost TV episodes that Clarke directed, will also be part of the season. alongside a new documentary looking back at his life and work.

From a London point of view, many of Clarke's films, including Made in Britain and The Firm, offer a chance to look back at the capital from decades past, and the preoccupations that were high up the media and political agendas, such as football violence, youth alienation, skinheads and post-deindustrialisation unemployment.

The full BFI press release is below: 

London, 3 February 2016 – Beginning 28 March, the BFI will present the entire BBC and ITV drama, and film productions of the great director/producer/writer Alan Clarke (1935 –1990) with a season at BFI Southbank, DVD and Blu-ray releases, via VOD on BFI Player and in BFI Mediatheques across the UK.

 Although best remembered for three controversial and groundbreaking dramas – the notorious Scum, Made in Britain and The Firm – the breadth of Clarke’s radical, political, innovative, inspirational work, with actors including Gary Oldman (The Firm), Ray Winstone (Scum), Tim Roth (Made in Britain) and even David Bowie (Baal), and his influence on directors like Gus Van Sant, Paul Greengrass, Harmony Korine, Clio Barnard and Shane Meadows should see him rightly regarded as one of Britain’s greatest ever filmmaking talents. While much of his work was documentary-like in its gritty realism, and in the way he focused on society’s marginal groups and underdogs, his versatility saw him turn his hand to comedy (Rita, Sue and Bob Too), minimalism (Elephant, Christine) and adaptations of writers as diverse as Bertolt Brecht and Georg Büchner.

Speaking in 2000 to 400 Blows Productions, Gary Oldman said: “He radiated with energy. The energy coming off him. The enthusiasm. And one got the impression that he liked actors. Actors want to be liked, that’s the game we’re in… You felt very confident around Alan. He made you feel confident. That anything was possible and that you could… you could go the whole nine yards with him. You could try anything with Alan.”

The BFI will offer the most comprehensive collection and widest possible access to Clarke’s enduringly powerful work than ever achieved before, including Made in Britain, The Firm, Baal, Penda’s Fen, Elephant, Diane, Nina, Christine and The Road. After a screening of the recently discovered director’s cut of The Firm, critic and broadcaster Danny Leigh (whose BBC film British Film Mavericks: Alan Clarke was broadcast in 2015), will host an on-stage discussion on Clarke’s uncompromising style, looking at his legacy and the filmmakers he has inspired with producer David M Thompson, writer David Leland, and daughter Molly Clarke.

Clarke discovered incredible British talent. Among the young actors he cast in what became landmark moments early in their careers are Ray Winstone and Phil Daniels in Scum, Tim Roth (Made in Britain), Jane Horrocks (Road), Lesley Sharp (Road; Rita, Sue and Bob Too), Lesley Manville (The Firm) and David Threlfall, best-known for Shameless, who made his acting debut in Scum.

Great female writers and producers played a key part in Clarke’s career and stories focusing on sometimes flawed, sometimes bewildered but always extraordinary women form an important part of his canon. In “Alan Clarke’s Women”, collaborators including producer Margaret Matheson, writer Jehane Markham and actors Lesley Sharp and Eleanor Bron will be on-stage (following a screening of Nina) to discuss his handling of feminine and feminist subjects.

Working in television during a significant period in the evolution of TV drama, Clarke’s peers were the likes of Mike Leigh, Ken Loach, Dennis Potter and Stephen Frears, who said, inAlan Clarke (Faber & Faber): “He was sceptical, cynical of authority, rebellious but not ideological, instinctively principled but also practical and canny, solitary but the best company, authoritative but not in search of power…as serious and as funny as anyone I’ve ever met…He was the best of us.”

After beginning his career at ATV and Associated Rediffusion, Alan Clarke joined the BBC in 1969 and made his mark in the weekly feature-length drama strands The Wednesday Play andPlay for Today, with a new and highly distinctive directorial style. He developed a cult following for his hard-hitting work which dissected the darker side of British life. He told stories about neglected or despised groups in contemporary society, like skinheads and football hooligans, and he focused on the troubles in Northern Ireland on three occasions. Clarke worked with a regular team of high-calibre writers that included David Leland, David Rudkin, Roy Minton, Alun Owen and Edna O’Brien. In 1977, Scum, his violent exposé of shockingly brutal conditions in a borstal, was banned by a nervous BBC and not shown for 14 years. Determined to see the story told, Clarke then made the film version released in 1979 to great acclaim.

Dissent & Disruption: The Complete Alan Clarke – BFI Southbank Season 28 March – 30 April 2016

 Among Clarke’s best-known work that will be screened during the season is Diane (1975), Baal (1982), Made in Britain (1983), Contact (1985), Road (1987), Christine (1987),Elephant, (1989) and The Firm (1989). Rarely-seen productions will include Under the Age (1972) and To Encourage the Others (1972).

A Missing Believed Wiped Special: Alan Clarke Half Hour Stories, will reveal three once-thought-lost episodes from Associated Rediffusion’s Half Hour Story strand where Clarke cut his directorial teeth in the late 1960s; The Gentleman Caller (with George Cole) (1967), George’s Room (with John Neville and Geraldine Moffat) (1967) and Thief (with Alan Lake and Sian Philips) (1968).

A highlight of the season will be a preview of the forthcoming documentary Alan Clarke: Out of His Own Light, directed by Andy Kelleher. Contributors include Ray Winstone, Lesley Sharp and David Leland. Here, in the words of his peers, is a biography, a detailed survey of his work and an affirmation of Alan Clarke as one of the greatest British filmmakers of the 20th century.

 BFI Blu-ray and DVD releases in May and June

The BFI will release two DVD box sets and a complete Blu-ray box set with extensive newly created special features:

 Alan Clarke at the BBC, Volume 1: Dissent (1969-1977) - 6-DVD box set

Includes newly remastered presentations of all surviving Alan Clarke BBC TV productions up to 1977, as well as filmed introductions by writer David Leland, extracts from BBC discussion shows Tonight and Arena, new multi-part documentary Alan Clarke: Out of His Own Light, audio commentaries and a booklet containing new essays and full credits.

Release date: 23 May 

Alan Clarke at the BBC, Volume 2: Disruption (1978-1989) - 6-DVD box set

Includes newly remastered presentations of all Alan Clarke BBC TV productions from 1978 to 1989, as well as filmed introductions by writer David Leland, extracts from BBC discussion showOpen Air, new multi-part documentary Alan Clarke: Out of His Own Light, footage from Alan Clarke’s unbroadcast documentary Bukovsky (1977), two versions of The Firm, audio commentaries and a booklet containing new essays and full credits.

Release date: 20 June


Dissent & Disruption: The Complete Alan Clarke at the BBC - Limited Edition 13-Disc Blu-ray box set

Includes all surviving BBC TV productions directed by Alan Clarke, extensive extra features (as detailed above), a comprehensive book with new essays and full credits, and an exclusive bonus DVD containing the seven surviving Half Hour Story episodes directed by Clarke: Shelter (1967), The Gentleman Caller (1967, previously considered lost), George’s Room (1967, previously considered partially lost); Goodnight Albert (1968), Stella (1968), The Fifty Seventh Saturday (1968) and Thief (1968, previously considered lost).

Release date: 23 May 

Also on 23 May, The Firm will be released in a stand-alone Blu-ray edition, presenting the newly-discovered Director’s Cut and the original broadcast version in High Definition for the very first time.

 BFI Player and Mediatheques

A further selection of Clarke’s work, including rarities, will be available to view for free from early May at all of the BFI’s nine Mediatheques around the UK and a different selection will be accessible online on BFI Player (www.bfi.org.uk/player) from April.


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Owen Van Spall

Greetings. I am a Film History MA graduate from Birkbeck University of London and a trained NCTJ qualified journalist. Apart from a long history of film and news writing for this site and various other publications, I am also a trained photographer with my own camera kit. I write mostly every day. Along the way I have picked up work experience at Sight & Sound, The Guardian, The Independent, The FT, The New Statesman, and more. I have written hard news stories, features, arranged and conducted interviews with celebrities, film directors and other major cultural figures, arranged photo shoots, and covered film festivals, conferences and events in the UK and abroad. If you wish to commission me or enquire about full-time opportunities please find my CV and contact details below. A physical portfolio of print only cuttings can also be provided.